The Complete Collection

Because a made-to-order price would be a guess, and guesses on stone are usually wrong in someone’s favour. The delivered cost of a piece depends on the stone selected and its current block price, the dimensions you actually want rather than the reference size, the finishing involved, the crate it needs and the freight to your destination, five variables no single price tag can honestly carry. “Price on request” therefore means exactly that: send the piece, your size and your city through the quotation form, and you receive an itemised factory quotation showing production, packing and delivery separately. It typically costs you one form and a short wait, and in exchange the number you get is real rather than a placeholder that changes at checkout.

Filters combine, and they narrow rather than replace each other. Choose a category to limit by form, then add a stone to see that form in a specific material, then a colour family to catch related stones you might not know by name, a search for green, for example, gathers Verde Alpi, Indian Green and the jade-figured stones together. The result count updates as you go, and filters live in the page address, so a filtered view can be bookmarked or sent to a client exactly as you see it. If a combination returns nothing, that is information too: the form exists, the stone exists, and the pairing can usually be produced to order even though no catalogue piece shows it yet.

It means the piece is produced when you order it, not picked from stock, and that the listed details are a starting point rather than a fixed offer. Reference dimensions can be adjusted, the stone can be swapped for another in the collection, and the finish is agreed on the production drawing you approve before cutting. The label appears on every card because it applies to every piece: this is a factory-to-order catalogue, so availability is about production scheduling rather than warehouse quantity. The practical consequences are covered across the site, lead times are confirmed at quotation, deposits reserve production, and custom pieces follow the returns policy for made-to-order goods.

You are looking at an honest placeholder. Our product photography is produced in controlled sets, consistent angles, neutral backgrounds, true colour, and that programme is still working through the catalogue. Rather than fill the gap with borrowed or misleading images, cards awaiting photography show a neutral material placeholder with the piece’s real name, stone, category and reference dimensions, all of which come from production data rather than styling. If you are considering a piece whose photography is pending, say so in your enquiry: we can share current material images and the production drawing for that design, which in practice tell you more about what you will receive than a single beauty shot does.

The Project Board is a shortlist that lives on your device. Tap “Save to Project Board” on any card to collect candidates for a room or project, a coffee table option, two side tables, a basin, then open the board to review them side by side and send the entire set as one quotation enquiry instead of five separate forms. It is deliberately simple: nothing is uploaded, no account is created, and the board stays in your browser on this device only, so clearing your browser data clears the board. Designers tend to use it per project; private clients use it to compare finalists. Either way, one enquiry per board keeps the conversation, and eventually the freight, consolidated.

Yes, form and material are separate decisions here. Most designs in the collection can be produced in any suitable stone from our range: a coffee table shown in travertine can be cut in Nero Marquina, a basin shown in white marble can be made in a green stone. “Suitable” is the operative word: some pairings need engineering judgement, since a translucent onyx behaves differently from a dense marble, and thin sections in a heavily veined stone are assessed case by case. Name the design and your preferred stone in the quotation form; the quotation and drawing you receive will show that exact combination, and we will tell you plainly if a pairing is inadvisable and why.

Pieces do not sell out, because nothing is stocked: every item is cut to order, so the catalogue describes what can be produced rather than what sits in a warehouse. What does change over time is the design range itself, new forms are added, and occasionally a design is retired, and the availability of specific stones, which follows quarry output and block supply. If a stone becomes temporarily hard to source, we say so at quotation and propose close alternatives rather than substituting silently. The reliable rule: if a piece is on the site, it can be enquired about; the quotation stage is where current stone availability and production scheduling are confirmed for your specific order.

It is the shortcut for people who would rather describe the room than browse three hundred pieces. Tell us the space, a living room needing a coffee table and two side pieces, a bathroom with a 900 mm vanity wall, a restaurant with fourteen table positions, plus any stone or colour direction and your budget sense if you have one. We come back with a small, reasoned selection from the collection, including combinations you might not have filtered for, with reference images and notes on why each candidate suits the brief. It is the same judgement we apply to trade projects, offered on any enquiry, and it costs nothing beyond the description you write.

Reference dimensions describe the overall envelope of the piece, total length, width or diameter, and height from floor to top surface, unless a product page states otherwise. They do not describe clearances, which depend on your room: knee space under a dining top varies with the base position, walkway space around a coffee table depends on your sofa line, and a basin’s working height depends on whether it sits on a counter or a pedestal. When you enquire, tell us the constraint that matters, ceiling height, doorway width, seat count, and the production drawing will show the piece with the dimensions that answer it, so the thing you approve is the thing that fits.

Ask for it, the catalogue is the visible part of a factory, not the limit of one. If you need a form we do not show, a size beyond a listed range, or a piece to match an existing scheme, send a sketch, a photograph of the reference, or plain dimensions through the quotation form or the Custom Commissions page. We respond with whether it can be produced, in which stones, and what the drawing-and-quotation route looks like. A significant share of what leaves the factory never appeared on a product page: countertops, reception pieces, oversized tables and one-off designs all start as exactly this kind of message.